“Photography is often translated as ‘the writing of light’, which doesn’t surprise me, I’m a writer—there’s a certain poetry embedded in all of my pictures.”
“My only aim when producing an image is to retain my memory of it, to have a record of all the things I’ve come in contact with, to be an eternal witness. Perhaps also to be read.”
“did i burn something?”, 2022.
kantmere 100.
24 x 36 cm.
kantmere 100.
24 x 36 cm.
exploring the medium’s capacity for abstraction whilst reframing error as experiment. when the image seeks to belong to itself, it refuses any interpretation, analysis, or conventional mode of understanding, and instead only welcomes epistemological chaos.
“love letter to an immutable rock”, 2022.
fomapan 100.
24 x 36 cm.
fomapan 100.
24 x 36 cm.
the first few times i visited you i brought back the sea in my pocket. i also dared sate my thirst with your sand. i change and shift and grow disconcertingly fast, but you always manage to stay the same—your outline projecting a semblance of stability. it gives me pause.
“seeking identity in antonyms”, 2023.
kodak gold 200.
24 x 36 cm.
kodak gold 200.
24 x 36 cm.
a visual fan of the process in which we strive to define ourselves in opposition to the projected version in the looking glass. the desire to counter imposed social perceptions and replace them with inner representations. an attempt to regain narrative over the self, to resituate it, but always in relation to, so ultimately just proof of our social susceptibility.
“places inhabiting people”, 2023.
fomapan 200.
24 x 36 cm.
an exploration of the space—or realm of relation—that originates from the inevitable interaction between site and self, which is here presented as an experiential field rather than a specific geographic location or bodily dimension. in this world, there is people inhabiting places, but also places inhabiting people.
film swap in collaboration with darwon rashid. shot in barcelona and edinburgh.
fomapan 200.
24 x 36 cm.
an exploration of the space—or realm of relation—that originates from the inevitable interaction between site and self, which is here presented as an experiential field rather than a specific geographic location or bodily dimension. in this world, there is people inhabiting places, but also places inhabiting people.
film swap in collaboration with darwon rashid. shot in barcelona and edinburgh.
through optics that transcend the corporeal, the female form is here contextualised as a vessel or a portal to the divine. these are not mere portraits, but meditations on identity, tenderness, apathy, and amusement; on objectification, unfamiliarity and play; and on the way sometimes women reach beyond themselves.
inspired by clarice lispector’s tale of the same name and in collaboration with tainá luana.
“sounds of nature”, 2025.
kantmere pan 400.
24 x 36 cm.
kantmere pan 400.
24 x 36 cm.
stillness is not the absence of sound, but its most attentive form.